The Amole font style comes with great character. Ideal for invitations, name tags, handwritten quotes, product packaging, merchandise, social media and greeting cards. It contains a complete set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and supports multi-language. This package is fully accessible to craftsmen or designers. Amole also provides several binding and style alternatives for lowercase characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType panel.

Amug ,contemporary of Sans serif font, Amug offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Amel is a modern display font. This font will look great on a variety of design ideas, perfect for feminine logo signs, fashion & editorial design heads, branding projects, Apparel Branding, packaging, magazine titles, advertisements, T-shirts, postcards, valentines, posters, invitations, weddings, branding projects, social media posts, magazines, book covers, and more. This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily and more.

Ample is a display type family, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer’s attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. Ample is designed by Aakash Soneri in a period between 2013 and 2014.

The earlier release of Hasan Amal typeface was in 2008. It has introduced modern OpenType Arabic Typeface which combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters which made it more readable. Hasan Amal is used in both titles and text in modern graphic and publication projects.It supports Arabic, Persian and Urdu languages and contains three weights: light, regular and bold. HS Amal is an OpenType family with (7) weights, produced to support Arabic, Persian and urdu. It contains many various alternatives and good additions.

Huxley Vertical meets Peignot in this stylized cap/lowercase hybrid design called Ambule. French designer Julien Janiszewski has created a clean, straightforward design that is strikingly effective in both text and display settings. Ambule Oblique and Ambule Outline complete the typeface family, extending its range of possible uses.

Agave Azul - Hand made old typewriter font Agave Azul Artisan font is perfect for tequila & mezcal label and packaging design, social media quotes, logo & branding design, apparel design, whiskey, beer label and packaging design, heading, scrapbooking, calendars, book covers. Don't forget to use bonus logos, marks and labels for your designs.

PaulMaul XT is a lighthearted typeface made for energetic expression. Bold and casual, PaulMaul jumps at the reader with distinct punctuation and style in headers, captions, sidebar quotes and fun interfaces. PaulMaul has been greatly expanded and now features a rich set of accents for European and Asian applications!

Another grungy masterpiece from Guillaume - this one with a woodprint touch. I have made the lowercase letters different from the uppercase by removing the cross-shaped counters and flipping where possible. Even the numbers have solid variants - available as OpenType "Stylistic Alts". Enjoy the new flexible possibilities! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.